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关于视觉文化研究详细内容

2012-11-13

Barnard, M. Art, Design and Visual Culture(《艺术、设计与视觉文化》),London: Macmillan, 1998.

Baudrillard, J. Simulacra and Simulation(《仿像与模拟》), New York: Semiotex(e), 1983.

Berger, J. Ways of Seeing(《看的方式》),London: BBC Publications, 1972.

Best, S. & D. Kellner. The Postmodern Turn(《后现代的转向》), New York: Guilford, 1997.

Bourdieu, P. The Field of Cultural Production: Essays on Art and Literature(《文化生产场:论文学与艺术》), Cambridge: polity, 1993.

Bourdieu, P. Photography: A Middle?brow Art(《摄影:中产阶级的艺术》), Oxford: Blackwell, 1996.

Bourdieu, P. The Love of Art: European Art Museums and Their Public(《热爱艺术:欧洲美术馆与其公众》), Oxford: Blackwell, 1997.

Brothers, C. War and Photography: A Cultural History(《战争与摄影:文化史》), London: Routledge, 1996.

Bryson, N. Vision and Painting: The Logic of the Gaze(《视觉与绘画:注释的逻辑》), New Haven: Yale University Press, 1981.

Bryson, N. et al. eds. Visual Theory(《视觉理论》), Cambridge: Polity, 1992.

Bryson, N. et al. eds. Visual Culture: Images and Interpretations(《视觉文化:形象和解释》), London: Wesleyan University Press, 1994.

Buck?Morss, S. The Dialectics of Seeing: Walter Benjamin and the Arcades Project(《看的辩证法:本雅明与拱廊计划》),Cambridge: MIT, 1989.

Burgin, V. In/Different Space: Place and Memory in Visual Culture(《在/不同空间:视觉文化中的地点与记忆》),Berkeley: University of California Press, 1996.

Cary, J. Technology of the Observer: On Vision and Modernity in the 19??th? Century(《发现者的技术:论19世纪的视觉与现代性》), Cambridge: MIT 1993.

Chambers, I. Popular Culture: The Metropolitan Experience(《流行文化:大都市的体验》), London: Routledge, 1986.

Cohen, S. Vision of Social Control(《社会控制的视觉》), Cambridge: Polity, 1993.

Dandeker, C. Surveillance, Power and Modernity(《监视、权力与现代性》), Cambridge: Polity, 1990.

Debord, G. The Society of the Spectacle(《景象的社会》),New York: Zone, 1994.

De Certeau, M. The Practice of Everyday Life(《日常生活实践》), Berkeley: University of California Press, 1984.

Der Berian, J. ed. The Virilio Reader(《魏瑞里奥读本》), Oxford: Blackwell, 1998.

Entwistle, J. The Fashioned Body: Fashion, Dress and Modern Social Theory(《时髦的身体:时尚、服装和现代社会理论》),Cambridge: Polity, 2000.

Featherstone, M. Undoing Culture(《解析文化》), London: Sage, 1995.

Fiske, J, Understanding Popular Culture(《理解流行文化》), London: Routledge, 1989.

Foster, H. ed. Vision and Visuality(《视觉与视觉性》), Seattle: Bay Viwe Press, 1988.

Foucault, M. The Birth of the Clinic: An Archaeology of the Human Science(《诊所的诞生:人文科学考古学》), London: Pantheon, 1973.

Foucault, M. Discipline and Punish(《规训与惩罚》), Harmondsworth: Penguin, 1977.

Freedberg, D. The Power of Images: Studies in the History and Theory of Response(《形象的权力:历史与反应理论研究》), Chicago: University of Chicago Press, 1989.

Frisby, D. & M. Featherstone, eds, Simmel on Culture(《西美尔论文化》), London: Sage, 1997.

Goldman, R. & S. Papson, Sign Wars: The Cluttered Landscape of Advertising(《符号的战争:广告的凌乱图景》), Nwe York: Guilford, 1996.

Harvey, D. The Condition of Postmodernity(《后现代性的状况》), Oxford: Blackwell, 1990.

Heywood, I. & B. Sandywell, eds. Interpreting Visual Culture(《解释视觉文化》), London: Routledge, 1999.

Jay, M. Downcast Eyes: The Denigration of Vision in Twentieth?Century French Thought(《低垂的眼睛:20世纪法国思想中对视觉的诋毁》), Berkeley: University of California Press, 1993.

Jenks, C. ed. Visual Culture(《视觉文化》),London: Routledge, 1995.

Jervis, J. Exploring the Modern(《探索现代》), Oxford: Blackwell, 1998.

Kellner, D. Media Culture(《媒介文化》), London: Routledge, 1995.

Levin, D. M. ed. Modernity and the Hegemony of Vision(《现代性与视觉的霸权》),Berkeley: University of California Press, 1993.

Levitt, H. Way of Seeing(《看的方式》), Durham: Duke University Press, 1996.

Lown, D. M., History of Bourgeois Perception(《资产阶级知觉的历史》), Chicago: University of Chicago Press, 1982.

Lyon, D. The Electronic Eye: The Rise of Surveillance Society(《电子眼:监视社会的兴起》), Cambrige: Polity, 1994.

Lyotard, J.?F. The Posmodern Condition(《后现代状况》), Minneapolis: University of Minnesota Press, 1984.

McGuigan, J. Culture and the Public Sphere(《文化与公共领域》), London: Routledge, 1996.

Melvill, S. & B. Readings, eds., Vision and Textuality(《视觉与文本性》),London: Macmillan, 1995.

Metz, C. The Imaginary Signifier: Psychoanalysis and Cinema(《想像的能指:精神分析与电影》),Bloomington: Indiana University Press, 1982.

Michell, W. J. Iconology: Image, Text, Ideology(《图像学:形象,文本,意识形态》), Chicago: University of Chicago Press, 1986.

Michell, W. J. The Reconfigured Eye: Visual Truth in the Post?Photographic Era(《重塑的眼光:后摄影时代的视觉真相》), Cambridge: MIT, 1992.

Michell, W. J. Picture Theory(《图像理论》), Chicago: University of Chicago Press, 1994.

Miles M. Art, Space and the City(《艺术、空间与城市》), London: Routledge, 1997.

Mirzoeff, N., ed. The Visual Culture Reader(《视觉文化读本》), London: Routledge, 1997.

Mirzoeff, N., ed. An Introduction to Visual Culture(《视觉文化导论》), London: Routledge, 1999.

Neal, S. Cinema and Technology: Image, Sound, Colour(《电影与技术:形象、声音和色彩》), London: Manderin, 1991.

Nochlin, L. The Politics of Vision: Essays on 19??th??Century Art and Society(《视觉政治:19世纪的艺术与社会》), London: Thames and Hudson, 1991.

Phillipson, M. Painting, Language and Modernity(《绘画、语言与现代性》), London: Routledge, 1985.

Pollock, G. ed. Generations and Geographies in the Visual Arts(《视觉艺术中的代与地理学》),London: Routledge, 1996.

Poster, M. ed. Jean Baudrillard: Selected Writings(《鲍德里亚文选》), Stanford: Stanford University Press, 1988.

Rose, J. Sexuality in the Field of Vision(《视觉领域里的性征》), London: Verso, 1986.

Tagg, J. The Burden of Representation: Essays on Photographies and Histories(《表征的重负:论摄影与历史》), London: Macmillan, 1988.

Tulloch, J. Watching Television Audiences: Cultural Theories and Methods(《看电视的受众:文化理论和方法》), London: Arnold, 2000.

Urry, J. The Tourist Gaze(《旅游者的凝视》), London: Sage, 1990.

Virilio, P. The Vision Machine(《视觉机器》), London: British Film Institute, 1994.

Welsch, W. Undoing Aesthetics(《解析美学》), London: Sage, 1997.

Williams, L. ed. Viewing Position: Ways of Seeing Film(《观看的位置:看电影的方式》), Nwe Brunswick: Rutgers University Press, 1989.

威廉希尔app  教育学论文栏目